eBoy は、3人のドイツ人アーティスト Kai Vermehr (1964 年生)、Steffen Sauerteig (1967 年生)、Svend Smital (1967 年生) により1997 年に結成されたアーティストグループです。 彼らは 8 ビット ピクセル（ドット絵）を用いた アート の先駆者として世界中のファンを魅了しています。 eBoyは今回のイベントで、緻密なピクセル都市景観「ピクソラマ」を展示し、さらに東京特別版のプリントをリリースする予定です。購入も可能になります。 デジタルアートウィークアジア2023の来場者には、eBoyの記念 NFTをプレゼントいたします。【初展示】
eBoy was founded in 1997 by German artists Kai Vermehr (b. 1964), Steffen Sauerteig (b. 1967) and Svend Smital (b.1967). They are widely considered the pioneers of 8-bit pixel art. eBoy would be showcasing their detailed pixel cityscapes "pixoramas" and releasing an updated Tokyo special edition print during the event which would also be available for purchase. A commemorative eBoy NFT would also be given to visitors to the Digital Art Week Asia 2023.「new showing」
eBoy was founded in 1997 by German artists Kai Vermehr (b. 1964), Steffen Sauerteig (b. 1967) and Svend Smital (b.1967). They are widely considered the pioneers of 8-bit pixel art. eBoy would be showcasing their detailed pixel cityscapes "pixoramas" and releasing an updated Tokyo special edition print during the event which would also be available for purchase. A commemorative eBoy NFT would also be given to visitors to the Digital Art Week Asia 2023.「new showing」
河口 洋一郎（1952年生まれ）は、日本のCGアーティスト、東京大学名誉教授、デジタルコンテンツ協会会長。 彼は国際会議 SIGGRAPH で「グロースモデル」を発表して国際的に有名になりました。日本中に熱狂的なファンがいます。デジタルアートウィークでは、2003 年の「Growth: Xenion」を上映する予定です。この作品は、プログラミングに基づいたアルゴリズム成長モデルの壮大な宇宙の時間と空間を具体化しています。 細胞の繊細な動きは、全体の形状に大きな変化をもたらすエネルギーを具現化します。 緻密なマイクロパワーが、複雑に交差する全体の造形を力強い生命体へと変貌させます。 河口洋一郎は、繊細でダイナミックで臨場感に満ちた変容の共感覚アートを呼び起こしたいと願っています！
YOICHIRO KAWAGUCHI (b. 1952) is a Japanese computer graphics artist, professor emeritus at the University of Tokyo and chairman of the Digital Content Association. He rose to international prominence when he presented “Growth Model” in the international conference SIGGRAPH. His work has a faithful following throughout Japan. He would be showing "Growth: Xenion" from 2003. The work embodies the magnificent cosmic time and space of an algorithmic Growth Model based on programming. Delicate cell movements provide energy for major changes in the overall shape. Detailed micro-power transforms the intricately intersecting overall shape into a powerful living entity. Professor Kawaguchi hopes to awaken the horizon of synesthesia art that is full of the sense of reality of delicate and dynamic transformation!
YOICHIRO KAWAGUCHI (b. 1952) is a Japanese computer graphics artist, professor emeritus at the University of Tokyo and chairman of the Digital Content Association. He rose to international prominence when he presented “Growth Model” in the international conference SIGGRAPH. His work has a faithful following throughout Japan. He would be showing "Growth: Xenion" from 2003. The work embodies the magnificent cosmic time and space of an algorithmic Growth Model based on programming. Delicate cell movements provide energy for major changes in the overall shape. Detailed micro-power transforms the intricately intersecting overall shape into a powerful living entity. Professor Kawaguchi hopes to awaken the horizon of synesthesia art that is full of the sense of reality of delicate and dynamic transformation!
EXCALIBURは東京⇔京都を拠点に活動する現代美術サークルです。「ストリート・イーサネット・フ ィールド」という現実と仮想の重なりをテーマに、個人的な記憶を物語や神話と交 差しながら社会的な記録となる美術に変換し、様々なカルチャーの境界線を曖昧にします。デジタルアートウィークでは、「NEW VOID #0000」とそれに対応する「NEW VOID #0001」を展示します。 この一連の研究は、所有権が NFT によって管理されるデジタル領域における誕生と死の並行関係を探ることを目的としています。【初展示】
EXCALIBUR are contemporary artists based in Tokyo and Kyoto, Japan. With the theme of real and virtual or its overlap called "Street, Ethernet, Field", they create art that transforms into social records, by alternating personal memories with stories and myths. Aside from their pixel renditions of Japanese woodblock prints, they would also be showing "NEW VOID #0000" and corresponding "NEW VOID #0001". This series of work seeks to explore the parallel relationship between birth and death in the digital realm where ownership are governed by NFTs.「new showing」
EXCALIBUR are contemporary artists based in Tokyo and Kyoto, Japan. With the theme of real and virtual or its overlap called "Street, Ethernet, Field", they create art that transforms into social records, by alternating personal memories with stories and myths. Aside from their pixel renditions of Japanese woodblock prints, they would also be showing "NEW VOID #0000" and corresponding "NEW VOID #0001". This series of work seeks to explore the parallel relationship between birth and death in the digital realm where ownership are governed by NFTs.「new showing」
daisy*は2004年に稲垣匡人（1969年生まれ）によって設立。稲垣匡人は大学で彫刻と現代美術を学び、さらにゲーム制作で 20 年以上の経験を積みながら、アートとテクノロジーの間のギャップを埋める機会を考えてきました。 稲垣氏はまた、新たな進歩が風景を変え、人間とテクノロジーを融合させて作り出したマトリックススタイルの環境世界では、テクノロジーが新しい色の素材になるだろうと信じています。【初展示】
daisy* was founded in 2004 by Masato Inagaki (b.1969), he studied sculpture and contemporary art in college and now with more than twenty years of experience in video game production, he saw the opportunity to bridge the gap between art and technology. Inagaki also believes that technology would be the new colouring material, in a world where new advancements have changed the landscape and have merged humans with technology to create a matrix style environment. 「new showing」
daisy* was founded in 2004 by Masato Inagaki (b.1969), he studied sculpture and contemporary art in college and now with more than twenty years of experience in video game production, he saw the opportunity to bridge the gap between art and technology. Inagaki also believes that technology would be the new colouring material, in a world where new advancements have changed the landscape and have merged humans with technology to create a matrix style environment. 「new showing」
木下朋朗（1996 年生まれ）は、大阪府出身のアーティストです。3DCGとイラストを融合させた手法で映像・VR・ARなどの様々な形態で作品を発表。クリーチャーを軸にし、幅広い場面での表現を探求します。生物の生態や特色を取り入れ、情報量が多く密度の高い色鮮やかな空間を演出します。【初展示】
TOMORO KINOSHITA (b. 1996) is an artist from Osaka. He presents his works in various formats such as video, VR and AR using a method that combines 3D computer graphics and illustration. He focuses on creatures and explores the expression in a wide range of situations. He incorporates the ecology and characteristics of living things to create vividly coloured spaces with a large amount of information and density.「new showing」
TOMORO KINOSHITA (b. 1996) is an artist from Osaka. He presents his works in various formats such as video, VR and AR using a method that combines 3D computer graphics and illustration. He focuses on creatures and explores the expression in a wide range of situations. He incorporates the ecology and characteristics of living things to create vividly coloured spaces with a large amount of information and density.「new showing」
EDOVERSE は、歴史的研究とアンリアル ゲーム エンジンなどの最新の新技術を組み合わせて開発された、江戸 (日本の東京の旧名) のメタバース空間です。 EDOVERSE（仮想空間）の監修を務める徳川家広氏は、江戸時代に君臨した大名家である徳川家の 19 代目の直系の子孫です。 展覧会を訪れた人は、江戸の初期の時代にタイムスリップしたような体験をすることができます。【初展示】
EDOVERSE is a virtual reconstruction of the city of Edo (former name of Tokyo in Japan) created by combining historic research with modern new technologies such as Unreal Game Engine. Iehiro Tokugawa, the supervisor of this virtual city, is the 19th direct descendent of the Tokugawa clan, the feudal family that reigned during the Edo period. Visitors to the exhibition may experience and be transported back to the early days of Edo!「new showing」
EDOVERSE is a virtual reconstruction of the city of Edo (former name of Tokyo in Japan) created by combining historic research with modern new technologies such as Unreal Game Engine. Iehiro Tokugawa, the supervisor of this virtual city, is the 19th direct descendent of the Tokugawa clan, the feudal family that reigned during the Edo period. Visitors to the exhibition may experience and be transported back to the early days of Edo!「new showing」
仲田 慎吾（1982年生まれ）は、「水引で絵描く」をコンセプトに、自身の出身地である長野県飯田市の伝統素材水引を古来から続く日本の呪術紐ととらえ、独自の貼り水引技法により美術作品を制作しています。水引は異界との境界を示すものでもあり時間と空間に存在するものと、それ以外のものの狭間であります。作品制作は全ての狭間の深淵を探る行為でもあります。【初展示】
SHINGO NAKATA (b. 1982) is an artist who creates works of art using a unique pasting technique, utilising the traditional material of Mizuhiki from Iida City, Nagano Prefecture, where he was born. Mizuhiki is a Japanese magic string that has been passed down since ancient times. With the concept of "Painting with Mizuhiki" in mind, he views Mizuhiki also as a border with another world, the gap between what exists in time and space and what is outside of it. Creating work is also an act of exploring the abyss between all the gaps.「new showing」
SHINGO NAKATA (b. 1982) is an artist who creates works of art using a unique pasting technique, utilising the traditional material of Mizuhiki from Iida City, Nagano Prefecture, where he was born. Mizuhiki is a Japanese magic string that has been passed down since ancient times. With the concept of "Painting with Mizuhiki" in mind, he views Mizuhiki also as a border with another world, the gap between what exists in time and space and what is outside of it. Creating work is also an act of exploring the abyss between all the gaps.「new showing」
KESSONことGiovanni Muzio（1988年生まれ）は、イタリアのニューメディア／ビジュアル・アーティスト。ジェネレーティブ・アートやニューラルネットワークを多用し、ランダム性や偶然性が持つ予測不可能性と数学の秩序や美学が混ざり合い、詩的な幻覚を引き起こすような魅力的な作品を制作しています。
KESSON aka Giovanni Muzio (b.1988) is an Italian new media and visual artist who works extensively with generative art and neural networks to make compelling artworks where the unpredictability of randomness and fortuity is mixed with the order and aesthetics of mathematics, in a combination that leads to poetic hallucinations.
KESSON aka Giovanni Muzio (b.1988) is an Italian new media and visual artist who works extensively with generative art and neural networks to make compelling artworks where the unpredictability of randomness and fortuity is mixed with the order and aesthetics of mathematics, in a combination that leads to poetic hallucinations.
ARIEF WITJAKSANA（1989年生まれ）は、インドネシアのデジタルアートのパイオニアです。個人の落書きにインスピレーションを得て制作した「11,111の収集可能なNFTプロジェクト」で成功をおさめたSuperlative Secret Societyのクリエイター兼リードアーティストです。 ジャカルタとバリ島の間を行きしながら仕事し、そこでインドネシア最大かつ唯一のデジタル中心のギャラリーを運営しています。【初展示】
ARIEF WITJAKSANA (b. 1989) is the creator and lead artist of Superlative Secret Society, a successful 11,111 collectible NFT project inspired by personal doodles which defines his visual style. A pioneer of digital arts in Indonesia where he lives and works, he shuttles between Jakarta and the resort island of Bali where he runs the largest and only digital focused gallery in Indonesia.「new showing」
ARIEF WITJAKSANA (b. 1989) is the creator and lead artist of Superlative Secret Society, a successful 11,111 collectible NFT project inspired by personal doodles which defines his visual style. A pioneer of digital arts in Indonesia where he lives and works, he shuttles between Jakarta and the resort island of Bali where he runs the largest and only digital focused gallery in Indonesia.「new showing」
MIGRATING LINESは、NINTENDOのゲームボーイゲーム「Dino's world」およびそれに対応するデジタルアートを10年以上にわたり制作しているビジュアルアーティストです。 彼のアート スタイルは、伝統的なフレーム単位、モーション グラフィックス、3D アニメーションなど、さまざまなアニメーション技術を組み合わせて、見る人を新しい世界に連れて行くことを目指しています。 ストーリーテリングと世界構築は、アーティストの作品に強く存在する 2 つの概念です。 ディノはアーティストの分身であり、魔法のようなインスピレーションに満ちた世界を発見する子供を表しています。【初展示】
MIGRATING LINES is a visual artist who has been creating "Dino's world", a NINTENDO gameboy game with corresponding digital art for more than 10 years now. His art style is about mixing animation techniques from different eras, including traditional frame by frame, motion graphics and 3D animation together in order to transport the viewer into a new world. Story telling and world building are two concepts strongly present in the artist's work. Dino represents the artist's alter ego, a kid that discovers a magical and inspiring world. 「new showing」
MIGRATING LINES is a visual artist who has been creating "Dino's world", a NINTENDO gameboy game with corresponding digital art for more than 10 years now. His art style is about mixing animation techniques from different eras, including traditional frame by frame, motion graphics and 3D animation together in order to transport the viewer into a new world. Story telling and world building are two concepts strongly present in the artist's work. Dino represents the artist's alter ego, a kid that discovers a magical and inspiring world. 「new showing」
CryptoPunks は、2017 年に Larva Labs (Yuga Labs が所有) によってアルゴリズムで生成された、総発行部数10,000の世界最古のNFTアートです。デジタル アート ウィークで2個セットが購入可能です（パンク #7923 のパロディ シリーズ）。 所有権の証明はイーサリアム ネットワークに保存されます。また、このプロジェクトは現在の ERC-721 標準よりも古いため、カスタム コントラクトを使用します。 商業権はコミュニティに与えられ、ジェイファンクという名前で活動する仮想通貨起業家は、#7923 (バージョン 2 パンク) と #7706 (バージョン 1) の所有権に基づいて MANIFEST と呼ばれるバーチャル バンドを作成しています。【初展示】
CryptoPunks were generated algorithmically in 2017 by Larva Labs (owned by Yuga Labs) with a total circulation of 10,000. Proof of ownership is stored on the Ethereum network and this project uses a custom contract as it predates the current ERC-721 standard. Commercial rights are given to the community and crypto entrepreneur who goes by his moniker Jayefunk created a virtual band called MANIFEST based from his ownership of #7923 (a Version 2 punk) and #7706 (Version 1). A derivative series of Punk #7923 would also be made available for purchase during Digital Art Week Asia 2023 as a set of two.「new showing」
CryptoPunks were generated algorithmically in 2017 by Larva Labs (owned by Yuga Labs) with a total circulation of 10,000. Proof of ownership is stored on the Ethereum network and this project uses a custom contract as it predates the current ERC-721 standard. Commercial rights are given to the community and crypto entrepreneur who goes by his moniker Jayefunk created a virtual band called MANIFEST based from his ownership of #7923 (a Version 2 punk) and #7706 (Version 1). A derivative series of Punk #7923 would also be made available for purchase during Digital Art Week Asia 2023 as a set of two.「new showing」
RUBAHITAM (Rifqi Ardiansyah, 1995年生まれ) は、インドネシアを拠点とするモーション デザイナー、2D アニメーター、3D アーティストです。 彼は 2D イラストと 3D 環境 (ハイブリッド技術) を組み合わせるのが大好きです。 彼はまだ中学生だった 2009 年からアニメーションに夢中になり、2011 年に独学で 3D を学びました。
RUBAHITAM (Rifqi Ardiansyah, b.1995) is a motion designer, 2d animator & 3d artist based in Indonesia. He loves to mix 2d illustrations with 3d environments (hybrid-technique). He has fallen in love with animation since 2009 when he was still in middle school and learned 3d on his own back in 2011.
RUBAHITAM (Rifqi Ardiansyah, b.1995) is a motion designer, 2d animator & 3d artist based in Indonesia. He loves to mix 2d illustrations with 3d environments (hybrid-technique). He has fallen in love with animation since 2009 when he was still in middle school and learned 3d on his own back in 2011.